Arlene Croce, a dance critic for The New Yorker, profoundly influenced the cultural perception of dance. Her rigorous analyses highlighted the art form's depth and significance.
Croce faced challenges due to the prejudices surrounding dance as an art form. She insisted that her critiques were serious, demonstrating the profound complexities of dance, which many overlooked.
Her work not only included a deep focus on Balanchine but ranged widely, encompassing notable figures like Graham and Cunningham. Croce's comprehensive insights reflected her unyielding passion for dance.
Despite the scarcity of literary precedents, Croce cultivated a unique voice in dance criticism, contributing to a literary heritage that empowered women critics in multiple artistic domains.
Collection
[
|
...
]