Radio fabulism, boasting a venerable history from Weimar plays to German Neue Hörspiele, is a minor artform practiced on peripheries, continually revitalized by successive generations of artists.
Ferdinand Kriwet's 1968 work, a collage of voices and fragments, challenges plot conventions, invoking Fluxus anarchism. Mauricio Kagel's hörspiel exemplifies a precursor to Robert Ashley's unique opera.
The article in The Wire focuses on exploring experimental radio narrative through radiophonic fabulism, highlighting a rich catalogue of avant-radio-drama influencing contemporary approaches.
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