Mark Kostabi describes his early passion for art, stating, "At age six, I got a lot of positive feedback for my drawings of dinosaurs and computers. It was then that I felt that art was my calling and my career." His perspective highlights the formative moments that ignited his artistic journey, indicator of how early inspiration can shape one’s life choices.
Reflecting on his move to NYC, Kostabi recalls, "I only had $100, so that didn’t last too long." His resourcefulness was evident as he navigated through financial challenges, eventually finding stability in a shared studio space. This adaptability played a crucial role in his development as an artist.
Kostabi notes the significance of the East Village art scene in the 80s, saying, "East Village art got a lot of press, but it wasn’t a movement, it was a scene." This highlights the distinction he makes between organic artistic communities compared to those driven by commercial motives.
Discussing his hiring practices, Kostabi defends his approach, asserting, "The practice was just fine for Rembrandt." This comparison to historical figures points to a longstanding tradition of artists utilizing assistance, stressing both the legitimacy and efficiency of his working methods.
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