By 2024, 'The Matrix' is feeling more relevant (and plausible!) by the day, thanks in part to our obsession/tension with breeding ever more capable A.I., our cultural fixation on antihero hackers and leakers, our ongoing destruction of the planet, and our weirdly brat green digital culture.
Wesley Morris defined 1999 through the lens of uncertainty, while others like myself view it through the stylistic elements of films like 'SLC Punk' and 'Girl, Interrupted', marking it as passionate and gritty.
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