Riven Ratanavanh's approach to reimagining Carolee Schneemann's 'Interior Scroll' explores the intersections of sex, race, and power through the lens of contemporary identity.
In reinterpreting 'Interior Scroll', Ratanavanh emphasizes contrasting experiences of cisness and whiteness, aiming to amplify marginalized voices and challenge historical power dynamics in art.
Ratanavanh reflects on his identity as a transmasculine individual from Thailand, seeking to assert agency and confront societal expectations rooted in race and gender.
Through his redux of Schneemann’s performance, Ratanavanh intends to create a dialogue about the erotic power structures linked with colonial histories and present-day cultural contexts.
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