I figured out how to switch between baritone and soprano registers, and the audience found it funny and bizarre.
I loved the idea that even if I was the only person singing, there would be actors lip-syncing so there would be this transference between voice and appearance.
As a countertenor, I always look different from the way I sound.
There are one-person versions of Hamlet, but I'm not sure there's been a one-person version of an entire opera.
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