Schrader's latest film, Oh, Canada, marks his most extreme depiction of a fallen life, showing a unique evolution of themes from his previous works.
The trio of independent films, including First Reformed and The Card Counter, reflects Patrick Schrader's scathing critiques of corrupted American institutions through personal tragedies.
The resurgence of directors like Schrader illustrates a larger trend where Hollywood auteurs reclaim creative freedom through independent filmmaking outside traditional studio systems.
Adapted from Russell Banks’s novel, Oh, Canada explores profound themes of regret and self-confrontation through the lens of a terminally ill filmmaker.
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