The article discusses the nuanced relationship between Ernest Hemingway and Lillian Ross following the publication of her Profile on him. Hemingway's correspondence reveals his insistence on creative freedom, his reluctance to authorize changes, and a poignant reflection on friendship's complexities, illustrating both a protective instinct regarding personal details and an appreciation for Ross's artistic interpretation. Despite foreseeing backlash, he continued to communicate enthusiastically with Ross, demonstrating the lasting impact of her work on their relationship and the diverse public reactions it elicited.
"I will say nothing about the piece because according to my code if you change, alter or correct then you authorize a piece."
"It is a good, funny, well intentioned, well inventioned piece," and predicted, "Piece will make me many, many enemies."
Collection
[
|
...
]