Desire, as articulated by French psychoanalytic theorist Jacques Lacan, is characterized by being unattainable, constantly driving individuals without a definitive resolution.
Maggie Nelson discusses the ambiguity in interpreting art through the lens of desire, highlighting the dual nature of artistic expression and the subjective interpretations artists and audiences bring to it.
Artistic practices are rooted in desire, with the reception of art never being fully predictable, showcasing the lack of control inherent in both creation and interpretation.
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