Leonardo's eminence elicited very different responses from Michelangelo and Raphael; Michelangelo sought to tear him down, while Raphael merely wanted to learn from him.
In 1504, Michelangelo completed his David, a monumental statue symbolizing power, in contrast to Leonardo's Mona Lisa, which exudes reticence and elusiveness.
Eyewitness accounts reveal that Michelangelo and Leonardo's relationship was fraught with rivalry; a public spat saw Michelangelo hurling insults at Leonardo in a fit of rage.
The distinct styles of Leonardo and Michelangelo reflect deeper philosophies: Michelangelo's work stands monumental and assertive, while Leonardo's invites contemplation and mystery.
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