In her new exhibition 'Quiet Days', Sarah Lee's landscapes envelop viewers in expansive solitude, showcasing haunting imagery that travels through various seasons and climates.
Absent brushstrokes, Lee's hand is nearly invisible, creating a slick layered surface; her paintings evoke human vulnerability when one gazes up at a starry sky.
Each painting starts with two colors meeting to form a horizon, expressing elemental eeriness between earth and sky while capturing the feeling of inner distance.
The exhibition's title, taken from a poem by Hang Kang, reflects a moment of introspection and appreciation for life's small, often overlooked details.
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