Loren's final collaboration with Mastroianni shines amidst Altman's satire, reuniting ex-lovers during Paris fashion week, where she re-enacts her iconic striptease.
In Chaplin's last film, Loren embodies a stowaway Russian countess, shining brightly against a cast led by a miscast Marlon Brando in a plodding story.
In 'Grumpier Old Men', Matthau's romance with Loren revives her allure, turning the bait shop into a trattoria, showcasing the charm of these comedy icons.
In 'The Millionairess', Loren captivates as the world's richest woman, but her pursuit of an aloof doctor leads to a comedic yet nonsensical tale.
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