Grandiose luxury and 1,400 dead workers: The palace that wanted to be bigger than the Vatican
Briefly

The iconic phrase 'Kill them all, so that there is no one left to blame me' epitomizes King Charles IX's extreme response to the potential revolt during the St. Bartholomew's Day Massacre.
Patrice Chereau and Daniele Thomson’s film, Queen Margot, mirrors not just a historical event but also the mythology of artistic creation, paralleling the architectural grandeur of the Mafra Palace.
Initially intended as a remake of The Three Musketeers, Queen Margot became a pivotal film that changed the trajectory of auteur cinema in France, underlining the blend of romance and brutality.
Patrice Chereau, renowned for his theatrical expertise, successfully melded a compelling narrative and high cinematic artistry, assembling top talent and locations to create a visually striking epic.
Read at english.elpais.com
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