Signature Theatre's revival of Sarah Ruhl's play Eurydice, directed by Les Waters, brings fresh interpretation to a work that remains relevant since its 2003 premiere. The production emphasizes the delicate communication between the living and the dead, with memorable performances, particularly by Maya Hawke. Hawke brings a unique depth to her character, combining a daydreamer’s innocence with a profound sense of regret. The themes of familial relationships, particularly the father-daughter dynamic, resonate deeply, alongside Ruhl's poetic exploration of loss and memory, making this staging a worthwhile experience for audiences.
The dead, as she puts it in one of Eurydice's most memorable lines, speak so softly "it's like the pores in your face opened up and talked."
Waters knows the ins and outs of Ruhl's language, where to get the actors to emphasize and where to let her words speak for themselves.
Hawke's not overeager to please, and comfortable enough to be particular and austere, applying an undercurrent of regret to her performance.
This play is so much about fathers and daughters, influenced by the metatextual element of seeing a famous daughter.
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