Those of us who remember the days when Sean Penn was widely regarded as one of the best actors of his generation will be pleased with his entertaining turn as a gruff motormouthed cabbie in writer-director Christy Hall's Daddio, a film set within the confines of a taxi over the course of one New York night.
The film is a classic two-hander, focusing entirely on the seesawing power dynamic between two very different individuals. It can be theatrical and precious, but watching Penn and Johnson's characters interact is fun and engaging.
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