Amy Jephta, a notable South African playwright and director, delves into themes of belonging in her works. Her film Barakat, the first in Afrikaaps, reflects on cultural identity. In her new play, A Good House, a shack unexpectedly emerges in a suburban area, leading to tensions among locals and addressing broader issues of property and privilege. Jephta intertwines her personal feelings about Cape Town's beauty and its deep-rooted conflicts, illustrating the complexities of identity in a post-apartheid landscape.
Jephta explores the contradictions of belonging in post-apartheid South Africa through her works, particularly in her play A Good House, questioning land ownership.
The play A Good House introduces a shack mysteriously appearing in a suburban community, provoking questions about property, privilege, and identity in Cape Town.
Through personal reflections, Jephta admits to a love-hate relationship with Cape Town, grappling with its beauty while being haunted by its historical injustices.
In developing A Good House, Jephta navigates the complexities of her city, underscoring that the shadows of apartheid continue to impact contemporary South African identity.
Collection
[
|
...
]