Art Basel diary: Bex Massey's fertile imagination, David Shrigley's Room 101 and farewell to the superyacht
Briefly

The answer is that the paintings of objects such as oysters, ice creams and cats' mouths-which allude to the female body in multiple imaginative ways-reflect Massey's recent fertility journey with her partner and are named after the potential sperm donors they considered-hence the endearing monikers of Fairfax Ken, European Bank 568 and Cryobank Greg.
He'd like to give a copy of Orwell's text to every citizen in the UK. Copies of the book, replete with a limited-edition print, are available in the shop for SFr 1,300.
Read at The Art Newspaper - International art news and events
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