Mackinven's work, which transitioned from humorous performance to dreamlike paintings, embodied the tension between curiosity and boundary-pushing, challenging conventional art narratives.
"Good ideas are terrible for art," Mackinven stated, reflecting his belief in the necessity of discomfort and challenge within artistic expression.
Mackinven's intricate performances, like "Cut Off My Hand to Spite My Cock," showcased his exploration of endurance and viewer engagement, necessitating a visceral response.
Through works that oscillated from physical performances to evocative paintings, Mackinven invited audiences to share in his curiosity and confront the unexpected.
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