In 'Saint the Terrifying,' Joshua Mohr expertly merges a hard-boiled detective narrative with West Oakland's punk scene, resulting in a vivid and gritty vigilante saga.
Mohr's writing is not confined by traditional boundaries, remarking, 'There were no limits in the Saint universe,' allowing for expansive storytelling in this three-part saga.
Drawing from personal experience, Mohr describes his own journey, stating, 'No house starts out as a punk house,' which emphasizes the organic evolution of punk culture.
The narrative also reflects on real-life tragedies, with sequences inspired by the Ghost Ship fire, as Saint considers the impact of time on life-altering events.
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