A painting that I cherish: Pool Parlor, by Jacob Lawrence. Pool Parlor takes the same grim artistic elements-the dark shading, rigidity, the aggressive and overstated angles of Lawrence's 'dynamic cubism'-and converts them into an easy, effortless work.
The Carrie-and-Big situation remains as confounding as ever, but Malcolm Ferguson has enjoyed learning about 'the deep inner lives of white, 30-something women'-a perspective he admits knowing 'very little about.'
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