A Portrait of an Obsolete Man
Briefly

Caleb Madison delves into the filmography of director John Ford, exploring the bittersweet portrayal of the West and deconstructing John Wayne's macho hero persona.
He enjoys unconventional cultural interests, such as the 'neoliberal child-product' Spy Kids and Emily Wilson's colloquial yet classic translation of The Odyssey.
Read at The Atlantic
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