For Hannes Koch, the triptych installation at the Scorpios Bodrum offers a methodology for collective ownership of public art and brings the digital into the physical sphere, inviting viewers to interact with it in ways that open up new possibilities of co-creation while conjuring an almost sentient, collective intelligence.
Koch highlights, 'Whatever we see in these collective movements, in these swarming, flocking algorithms, we humans, across cultures, tend to think there's some emerging consciousness, some life-like behavior.' This idea emphasizes the intertwining of digital art and human interaction.
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