"which unfolds over three elegant stories, celebrating all the hard work his cooks and crew have put into making this special night happen. He's no stranger to a corny declaration, telling those dining that he wanted to make a restaurant that would be "a home for our family, our friends, our people." Before Jake can end his toast and continue the festivities, his dream becomes a nightmare, as two armed men start to rob the place, and hold Jake at gunpoint."
"But it comes with a caveat: before anything else happens, we're taken back to a month before the robbery. It's here we see the introduction of Jake's brother Vince ( Jason Bateman), who Jake hasn't spoken to in 7 months since their mother passed away. Vince is stuck in Reno, and is in need of cash bail out so he can make his way back to New York."
"The central mystery of the show surrounds the heist: why it happened, who's involved, and what the circumstances were that led to such a dramatic event. But it's something you can largely piece together over the first couple episodes, leading to nearly eight hours of an already-solved mystery that slowly pieces itself together in front of your eyes. That means much of Black Rabbit is a murky slog to the inevitable."
Black Rabbit opens with a robbery at Jake Friedkin's three-story New York City restaurant, as two armed men hold Jake at gunpoint during a celebratory toast. A month earlier, Jake reunites with estranged brother Vince, who needs help after their mother's death and a Reno bail situation. The series unfolds across eight brutal hours, gradually revealing who was involved in the heist and why, but the central mystery becomes largely solvable within the first episodes. The pacing often lags, repeating familiar beats and relying on excessive profanity, which makes much of the show feel like a murky slog toward an inevitable conclusion.
Read at Inverse
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