
"Leading up to season 2, episode 5, "11:00 A.M.," The Pitt has thrown just about every bodily fluid known to man on us all: blood, urine, puke, mucus, sweat, pus. (To be fair, Whitaker absorbed most of those blows.) But The Pitt has always pulled its punches, for the most part, on the ... back end of things. Until tonight. When a new patient enters, Oglive and Santos (Isa Briones) are placed in charge of an elderly woman who's been "stopped up for at least five or six days." Been there! The patient's painkillers caused a wicked case of constipation, leading to a "probable stool obstruction" that quite literally needs someone to dig it out."
"Santos, ever the chessmaster, pulls in her pesky roommate and pairs him with Oglive to take care of this poor woman's problem. ("Oh, there is no 'we' in disimpaction" is The Pitt's best line of the season so far.) Before they start, Santos tells the patient the words that no one wants to hear addressed to them in their lifetime: "We need to manually unblock your rectum so we can get your bowels moving again.""
"Huckleberry advises (gag!) Oglive to (gag!!!) "curve the finger like an ice cream scoop and bring it out." It's a procedure that we witness in its full glory, because this is The Pitt and realism is paramount. The Pitt's sound design team does absolutely nasty work here, gifting us such despicable fart noises that would make the Minions proud. (The Ultimate Fart Bl"
Miss Piggy expresses affection for multiple male characters on The Pitt, including Robby, Langdon, and Abbot, and hints Oglive and Whitaker might change that after a particular episode. Season 2, episode 5 stages a graphic medical case involving an elderly patient with severe constipation and probable stool obstruction caused by painkillers. Santos assigns Oglive and Whitaker to perform a manual disimpaction. The scene includes explicit instruction and practical details, blunt clinic dialogue, and exaggerated sound design that emphasizes bodily noises. The episode blends gross realism with dark humor and character-driven reactions.
Read at Esquire
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