Growing pains: Industry has shown that bigger isn't always better
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Growing pains: Industry has shown that bigger isn't always better
"We don't need proof, says one short-seller out for the kill, because we finally have a good story to tell. Cooked books can be explained as simply a misalignment between the velocity of my vision and the velocity of regulation, according to the slippery fintech entrepreneur Whitney Halberstram. The gap in between is where smart people have always made money."
"In the show's caustic nexus of business, politics and global media not so much a fun-house mirror as a high-budget, impressionistic rendering of five minutes scrolling X your worth is not in dollars or pounds but in narrative confidence."
Industry, an HBO/BBC drama created by former financiers, depicts the ruthless London financial world where characters discuss stocks, funds, and entrepreneurial ventures with charismatic confidence. The show's central premise suggests that in finance, politics, and media, narrative confidence and storytelling ability determine worth more than actual dollars or proof. Characters justify questionable practices by framing them as gaps between vision and regulation where smart people profit. The show itself mirrors this dynamic: once a hidden gem with devoted niche audiences, it has evolved into an improbable hit. In its fourth season, creators Konrad Kay and Mickey Down abandoned the show's original governing structure to pursue unruly, ambitious growth, reflecting the very themes of expansion and narrative-driven success the show critiques.
Read at www.theguardian.com
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