
"It's a chewy subject, but this issue delivers on the task of answering these age-old questions in photographs that pack a lot of information into simple, beautiful compositions. In A Glint of Possibility by Tyler Mitchell, a man dangles from a tire swing just close enough to the water to see his own reflection, risking falling right into the murky waters - a timeless commentary on the importance and risk of seeing oneself."
"In an effort to make the magazine "future-proof", the team have introduced a hybrid way of publishing from this issue onwards, with a redesigned annual print edition which will accompany online content on a revamped digital platform. The move is one they hope will make photography even more accessible and relevant for the magazine's dedicated readers. "As always, we invite you to look at the world gently, but not any less lucidly," says Katy."
"Other featured photographers included in the 67th issue include, Sara Cwynar and the late Ernest Cole, who all had their first museum solo shows at Foam Museum in Amsterdam. Myriam Boulos will follow this trajectory with her Foam Paul Huf Award winning exhibition in 2026. "There is however a growing movement of image-makers - many working from within oppressed or silenced communities - who are retuning the acoustics of visual memory and amplifying or retelling what has been muted," says Katy."
Photographs examine self-reflection, risk, and moments of respite amid conflict through concise, striking compositions. A man on a tire swing peers into murky water, embodying the peril and importance of seeing oneself; a Palestinian man naps on an abandoned sofa, his brief reprieve framed by a desolate landscape. A hybrid publishing model introduces a redesigned annual print edition alongside revamped online content to broaden accessibility and relevance for dedicated readers. Featured photographers include Tyler Mitchell, Sakir Khader, Sara Cwynar, the late Ernest Cole, and Myriam Boulos, who will present a Foam Paul Huf Award exhibition in 2026. A growing movement of image-makers from oppressed communities is amplifying muted visual memory.
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