Savvedra and Mannella collaborate on art that feels lived, not staged
Briefly

Savvedra and Mannella collaborate on art that feels lived, not staged
"Carlos Saavedra and Rosario Mannella work in the charged interval between what the body reveals and what the world prefers not to name. Their collaborations feel lived rather than staged, shaped by movement, memory, and the quiet intensity of people who have crossed borders both geographic and internal. The images linger, rearranging the room and recalibrating how beauty, presence, and belonging can be understood."
"Both artists are formed by departure rather than arrival. Caracas and Milan dissolve into Barcelona, Ibiza, Australia, Miami, New York, until geography becomes less a destination than a heightened state of perception. This continual motion produces neither fragmentation nor nostalgia, but fluency. Identity emerges as something practiced daily, negotiated through the body, refined through adaptation, and ultimately claimed through visibility."
"Saavedra photography Carlos Saavedra's photography carries this intelligence at its core. Born in Caracas and sharpened across continents, he approaches the camera as a responsive instrument rather than a neutral witness. Figures recur, divide, and return, mirroring lives shaped by rupture rather than linear inheritance. Movement remains legible in every frame, while stillness feels provisional. The human form appears not as fixed subject, but as evolving narrative."
Carlos Saavedra and Rosario Mannella create images that occupy the charged interval between bodily revelation and what society prefers not to name. Their collaborations are lived rather than staged, informed by movement, memory, and the quiet intensity of people who have crossed geographic and internal borders. Geographic origins dissolve into a fluid state of perception, producing fluency instead of fragmentation or nostalgia. Identity is practiced daily through bodily negotiation, adaptation, and claimed visibility. Saavedra treats the camera as a responsive instrument; recurring figures, readable movement, and provisional stillness shape evolving narratives. Fashion, performance, urban space, repetition, and distortion function as memory and refusal, reframing descent as awakening, vulnerability, and choice.
Read at www.amny.com
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