"Photographer Danica O. Kus documents the recently opened Nederlands Fotomuseum in Rotterdam's Rijnhaven district, now occupying a nine-story, early 20th-century coffee warehouse, originally built between 1901 and 1902 to store beans arriving from the Brazilian port city of Santos (find designboom's previous coverage ). Her images dwell on the tension between weight and lightness, capturing thick masonry walls and ornamental facades counterbalanced by exhibition spaces. The robust structure of the former warehouse is not erased but reframed, allowing photography to unfold within a calm environment."
"Constructed by Rotterdam architects J.P. Stok Wzn and J.J. Kanters, the Santos warehouse stands as a rare, well-preserved example of early 20th-century port architecture in the Netherlands. Listed as a national monument since 2000, it now integrates contemporary interventions, including a new atrium and a perforated aluminum 'crown' that accommodates offices, a restaurant, and short-stay apartments. The transformation, led by Rotterdam-based WDJArchitecten in collaboration with Hamburg studio Renner Hainke Wirth Zirn, equips the listed monument with advanced conservation facilities while retaining its industrial gravitas."
"Through architectural photographer Kus' series, the renewed museum emerges less as a spectacle of renovation and more as an infrastructure for attention. The project aligns architectural preservation with archival responsibility, situating photography within a building once dedicated to global trade. In this shift, the Santos warehouse becomes a place housing more than 6.5 million photographic objects, where the material history of"
The Nederlands Fotomuseum now occupies a nine-story early 20th-century Santos coffee warehouse originally built to store beans from Brazil. Thick masonry walls and ornamental facades remain visible while exhibition spaces and a new atrium reframe the building for photography. Climate-regulated galleries, cold storage, and visible conservation areas provide advanced archival and technical upgrades. Contemporary additions include a perforated aluminum crown hosting offices, a restaurant, and short-stay apartments. The project integrates preservation with archival responsibility and positions the museum as infrastructure for attention, housing more than 6.5 million photographic objects within retained industrial gravitas.
Read at designboom | architecture & design magazine
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