Outside the big, tall windows of Ellen Maddow and Paul Zimet's Manhattan loft, in a former garment factory on Mercer Street in SoHo, is a slice of the New York skyline: up close, rooftops of old brick buildings, solid as can be; farther off, glass towers taller, sleeker, colder, newer.
Does this all sound romantic? Zimet asks rhetorically in the show's prologue, where he reminisces about the past. I really hope it doesn't.
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