"The whole experience has just shown me how amazing producers can be. I think it was 32 days in a row where I didn't have one day off."
"I flew back and forth four times. I'd go from [Fellow Travellers character] Hawk's house in the '60s at the cabin, go straight to the airport, sleep on the plane, go straight to a regency ball, sleep there, then go straight to Wicked to be learning choreography. And at that point, I was so late in joining the Wicked lot."
"They'd already started filming, and that also was incredible for Marc Platt to make that work. There's nothing quite like the feeling of trying to work out the priorities of whether you have to learn the choreography today, or work on your American accent, or pelt your hair ready for another Bridgerton snog."
"I probably wouldn't rush into doing that again... music was absolutely key in helping him transition from character to character. But I would say that I was quite good at rolling all the way through and then at the end, I had a five-day holiday, and my hair had died from all the perming and straightening."
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