Critic Philip Lopate, With Inviting Brio and Gentle Insistence, Celebrates 'Art House Cinema'
Briefly

Though some observers place 'The Sun Shines Bright' high among Ford's movies, Lopate considers it 'good but not great,' using it to discuss the director's relationship with the American South.
Lopate analyzes Ford's sympathy for the defeated South, linking it to Griffith's portrayal in 'The Birth of a Nation' and highlighting the presence of disappointed Confederate soldiers in Ford Westerns.
Lopate reflects on Stepin Fetchit's character in 'The Sun Shines Bright,' acknowledging the racial caricaturing and moral complexities while finding a certain satisfaction in the flawed film.
Lopate explores the persuasive power of art, recognizing its ability to challenge personal tastes, moral certainties, and evoke deep pleasures.
Read at The New York Sun
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