Othership, the SoulCycle of Spas
Briefly

The International Center of Photography, established in 1974, promotes engaged photojournalism with current exhibitions emphasizing labor themes. The exhibition 'American Job 1940-2011', curated by Makeda Best, presents a compelling look at the nature of work through various photographs documenting both routine and protests. The collection, featuring notable photographers, avoids dry commentary by showcasing lesser-known works and personal narratives, presenting a vital exploration of job solidarity and the harsh realities faced by individuals in the workforce. This thoughtful curation invites viewers to reflect on the socio-economic importance of labor.
Best's careful selection of lesser-known and anonymous work adds depth to the show, ensuring that it is engaging and relatable, rather than dry and didactic.
The show 'American Job' uses photography to explore labor, illustrating both the familiarity of work and the harsh realities faced by many in the workforce.
Read at The New Yorker
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