Ingmar Bergman's film Fanny and Alexander luxuriates in space, showcasing the interconnectedness of detailed interiors and expressive characters in a narrative that plays out over hours.
Bergman's cinematic vision translates to a new opera adaptation, which, though shorter, maintains the essence of his autobiographical tale, fusing fantasy with the brutal realities of childhood.
The opera’s adaptation condenses scenes significantly—for instance, a pivotal Christmas Eve is halved from its original length—yet strives to retain the core emotional insights of Bergman's narrative.
Director Ivo van Hove notes Bergman's blend of realism and poetry, highlighting the challenging emotions that define the human experience, a theme central to both the film and new opera.
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