John Adams masterfully crafts his concertos to reflect the unique qualities of their performers, showcasing individuality while drawing upon a rich tapestry of musical influences.
In 'After the Fall,' the dreamy opening melds strings, piano, celesta, and harps, echoing the transparent orchestration of Maurice Ravel, while also channeling Bach's rhythmic figurations.
'After the Fall' unfolds over three movements, showing a contrast to Adams’ previous works by being more introverted and austere, yet still drawing ties across musical centuries.
The reflective slow movement of 'After the Fall' features a broad descending theme that transitions into a contrasting rising theme, playing with the listener's perception of meter.
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