Ray Bradley's dismissal of the writer's craft as 'bullshit' highlights the ongoing tension between creative ambitions and commercial viability in the literary world.
The criticism of Edible's lack of care for its archive underscores the broader issue of digital preservation and the vulnerability of online content to hacking.
The statement about businesses built on ad revenues being doomed points to the precariousness of relying on advertising models in an industry that can quickly shift.
The nostalgia and frustration expressed in recalling a 13-year journey in writing reflects the evolving landscape of both literature and its marketplaces.
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