"Nothing in McNeal is convincing: The characters are thin, the timelines are off, the situations are at once implausible and cliché," writes Adam Feldman on Time Out. "All of these actors and the play's director... have done excellent work in the past, and Akhtar won a Pulitzer Prize... they can do better than this. It is clear from the start that we are witnessing a metatheatrical exercise of applied technology."
"The theme is relevant (AI's potential at taking over the writing industry) and the main actor provides the sort of star power that Broadway shows seem to crave these days."
"Alas, you should consider heading to the theater and judging the work on your own before the production officially closes on November 24."
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