McPhatter reflects on how the formation of new gangs like the Woos and Choos is a response to the evolving dynamics of gang culture in New York City. He emphasizes that these gangs are collaborations among different sets, showing how inter-gang relationships have transformed over time. As these interactions become more complex, they reflect a deeper evolution of gang identity and territoriality in a city steeped in violent history.
Discussing the entertainment industry's contribution to gang violence, McPhatter points out that drill music not only showcases urban narratives but also glorifies criminal lifestyles. He asserts that while the music can be a voice for marginalized communities, it simultaneously perpetuates a cycle of violence that influences youth and spreads gang culture across the globe, correlating with rising homicide rates.
McPhatter elaborates on the RICO cases that have emerged against prominent figures, like Tekashi 6ix9ine, highlighting how legal actions against gang leaders and affiliates expose the connections between music, crime, and organized gang activity. This situation serves as a stark reminder of the consequences of gang affiliation and the intertwining of lifestyle choices with the law.
His organization, G-MACC, aims to redirect the narratives prevalent in gang culture towards constructive community engagement. McPhatter expresses a commitment to fostering change through innovative programs that not only address violence but also provide opportunities for at-risk youth. He firmly believes that combating gang influence requires collective efforts from both community leaders and the members themselves.
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