"Last year, Exit From BIG D, a Detroit techno album from an unknown artist named Marcellus Young, attracted attention from leading electronic music forums. It was presented as a lost gem from 1994, a convincing story with an even more convincing sound."
"The truth was revealed: Marcellus Young was AI. At this point, the questions shifted. Wasn't this the ultimate and desired evolution of electronic music? Isn't this what many have imagined and simulated, made reality?"
"Pioneers like Juan Atkins, Derrick May and Kevin Saunderson spent afternoons reading the book, then imagining music that would have a decidedly cybernetic essence, but also capture the deterioration of its socioeconomic surroundings."
"Kraftwerk dreamed of robot-made music, but they also initiated two decades of legal proceedings when Sabrina Seltur's 1997 hit Nur Mir featured a sample of little more than two seconds of the group's song Metal on Metal."
The emergence of AI-generated music, exemplified by the album Exit From BIG D, challenges perceptions of authenticity in electronic music. Initially presented as a lost 1994 album, it was later revealed that the artist was AI. This revelation sparked debate about whether AI represents the ultimate evolution of electronic music. Historical figures in the genre, like Brian Eno and Kraftwerk, have long envisioned music created with minimal human intervention, suggesting that technology has always been integral to creativity in this field.
Read at english.elpais.com
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