"I couldn't stop moving my legs. I felt like I needed to reauthor myself, and this was how I was going to do it. While out on their fevered walk, Eisenberg ran into an old friend. She told me: You seem like you're having a kind of exorcism.'"
"Many of these songs were written in a similar state, across three or four months after that strange, mystical moment. The forthcoming album leans away from experimentalism, instead drawing nourishment from the playfulness and graceful melody of 70s folk-rock."
"Eisenberg's guitar-playing is unpredictable, lightning-in-a-bottle stuff, using traditional and avant garde techniques; regular collaborator Bill Orcutt tells me that Eisenberg is an amazing player who improves everything they're added to, like musical MSG."
Wendy Eisenberg experienced a transformative moment after an anxiety-filled night at a rave, leading to a creative burst. During a fevered walk, they encountered a friend who suggested playing guitar. This prompted Eisenberg to write their new self-titled album, which was crafted over several months in a dream-like state. The album marks a shift towards 70s folk-rock influences while maintaining the ambition of their earlier work. Collaborator Mari Rubio contributed to the orchestration, enhancing the album's playful and melodic qualities.
Read at www.theguardian.com
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