"Everything But the Girl's version of the Cole Porter standard is fantastic, dolefully understated, effectively relocating the song to a grim bedsit in early 80s Britain."
"The deluxe version of Worldwide features a demo of British Summertime, stripped of its production gloss, rendered as a simple piano ballad, both careworn and lovely."
"Mine was a left turn away from its jazz-inflected sound, reflecting Thorn and Watt's increasing fascination with the Smiths, filled with empathy for its protagonist."
"Wrong was another dolorous break-up song set to a house rhythm, too good and confident in its new musical surroundings to dismiss as a mere follow-up."
Everything But the Girl's rendition of a Cole Porter standard is a standout debut single, marked by its understated and somber tone. Their album, Worldwide, is often overlooked, yet the deluxe edition features a demo of British Summertime that reveals its raw beauty. Songs like 25th December and Mine illustrate the duo's lyrical depth, exploring themes of time and empathy. Wrong, while reminiscent of their earlier work, showcases their confidence in new musical styles. Oxford Street exemplifies their songwriting prowess, balancing emotional resonance with evolving sound.
Read at www.theguardian.com
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