The culmination of Biggie's death created a notable vacuum in New York hip-hop, which artists like Jay-Z and DMX attempted to fill in vastly different manners.
New York's underground scene became a tapestry of unique offerings, with artists from the raw corners of the city challenging the norms and expanding hip-hop's creative boundaries.
As MF DOOM reemerged in New York, the competition among hip-hop artists manifested not only as a race for commercial success but also as a fight for artistic direction.
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