They've taken in acid folk, space rock, eerie, drifting electronic experimentation, hypnotic, vaguely krautrock-y instrumentals and full-on pop, all of them informed by separate moodboards of obscure influences that speak of a profoundly eclectic taste and a lot of time spent digging through esoteric records.
While the 52-year-old's previous albums have been self-produced, on Love in Constant Spectacle she worked with PJ Harvey's right-hand man John Parish in Bristol.
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