"Mohr's last album-2025's Waiting Room-was made at an artist retreat in a rural village in Iceland. She has said that recording outside the rhythms of her daily life is a practical choice, a way to 'focus more and make new connections with my brain.'"
"On Carve, despondency and desolation remain her default modes. The record opens with a windswept, grayscale instrumental called 'Bone Infection,' on which dizzy synthesizer ambiance is scarred with chattering found sounds and static."
"Across the record's 12 tracks, Mohr sings of illness and death, of poisoned water, of bad trips and broken bones. The images are often foggy and abstract, but the message is clear."
"As she sings on 'Idiocy'-a track full of cloudy acoustic yearning that recalls Grouper's more desperate dirges-'I'm suffering the pain, it's all I have.' It's a simple line that plays like a mission statement for all the downcast songs."
Kathryn Mohr's music features minimal arrangements and a haunting delivery, reflecting deep emotional struggles. Her latest album, Carve, was created in isolation, similar to her previous work in Iceland. The record opens with a grim instrumental and continues to explore themes of illness, death, and despair across its 12 tracks. Mohr's lyrics are often abstract yet convey a clear message of suffering, encapsulated in lines that express the weight of her experiences and emotions.
Read at Pitchfork
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