The only time Howard doesn't adopt this practice is when she is making music. It's the songs that are doing the work: the self-exploration, the dismantling and interrogation of patterns, the statements of love and joy when the world is suffering.
That title feels as if it has a double meaning. Who hasn't routinely groaned: What now? in the past few years of pandemic upheaval and political unrest? At the same time, it sets up an album that twists and turns.
[
add
]
[
|
|
...
]