How much are the cheapest tickets to see Cameron Winter and Geese?

"From Nov. 6-21, the quartet headline at music halls, rock clubs and indie venues all over North America in support of their recently-released third studio album that shares a name with the trek. Their run, which began in mid-September, will conclude with a pair of back-to-back gigs at Brooklyn's Brooklyn Paramount on Thursday, Nov. 20 and Friday, Nov. 21. And, if you'd like to see the buzzy outfit live, tickets are available for their final concerts this year."

"There might be bands that make more money or play bigger venues or garner better (or at least equally good) reviews in 2025. But in terms of juice - that intangible but indisputable feeling that you are witnessing a show you'll still be talking about in 10 or 20 or even more years - then it's hard to think of any act in the indie space that can touch Geese at the moment,"

"At the time of publication, the lowest price we could find on tickets for any one show was $21 including fees on Vivid Seats. However, that's a last-minute outlier. Other Geeseperformances have prices starting anywhere from $201 to $399 including fees. Based on our findings at Set List FM, the Gen Z wunderkinds typically perform approximately 15 songs at all shows. That includes their most well-known tracks like 'Cowboy Nudes,' 'Taxes,' 'Au Pays du Cocaine,' 'Long Island City Her I Come' and 'Trinidad.'"

Geese continues its 2025 Getting Killed Tour with nine remaining North American shows from Nov. 6–21, featuring special guest Dove Ellis and concluding with back-to-back dates at Brooklyn Paramount on Nov. 20–21. The quartet launched the run in mid‑September to support their recently released third studio album of the same name. Ticket availability varies widely, with a last‑minute outlier at $21 but most listings ranging $201–$399 including fees. Typical setlists run about 15 songs and include standout tracks such as 'Cowboy Nudes,' 'Taxes,' 'Au Pays du Cocaine,' 'Long Island City Her I Come' and 'Trinidad.' Critical response praises the band's live intensity.

Read at New York Post