When comparing the new transfers against previous ones, plus the existing CD master, we felt that the audio quality Adam had pulled off the original 1/4-inch tapes of Rob Schnapf's mixes (done with Joanna Bolme in 2004) was of a higher quality than what the public had heard on the original release. As we worked, I reflected on the fact that Elliott had asked me to come stay with him in Los Angeles in 2003, to sort out this album and see it finished.
Many of the mixes felt wild and idiosyncratic. The creative verve of the album is something we strove to honor, and we hope you enjoy this remaster as much as we do.
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