The Albers had "the utmost respect for one another's work," says Nicholas Fox Weber, who notes that despite their individual careers, they were content in separate artistic spheres.
During three select holidays, the Albers worked together on unique design-centric holiday cards, providing insight into how influential designers celebrated Christmas as a couple.
The Foundation’s collection begins in 1934, marking the start of a new chapter after the Bauhaus closure, inspired by their later teaching roles.
Their holiday cards reflect their innovative perspectives rather than traditional greetings, showcasing their blended artistic styles during those special occasions.
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