The second act of this 1896 opera is a miracle of moving parts, dramatically and musically, with hawkers hawking and crowds shoving in a vibrant Paris backdrop.
Richard Jones's production captures the sense of all life and hope squeezed onto one stage, transforming the set into a bustling Cafe Momus and lamp-lit plaza.
Ukrainian soprano Olga Kulchynska delivers a performance that combines poise, modesty, and passion, regarded as one of the most credible Mimis in recent memory.
The cast displayed unusual sympathy, showcasing their individuality and warmth, especially Pene Pati, whose charm and nuance as Rodolfo added depth to the character.
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