The week in classical: Aida; Chineke!; Paddington Trio review
Briefly

Robert Carsen's 2022 production of Verdi's Aida challenges conventional interpretations by placing the opera in a non-specific totalitarian state, stripping it of traditional Egyptian imagery. The design emphasizes military aesthetics reminiscent of global powers, drawing focus to the opera's deeper themes related to war and homeland. Anna Pirozzi leads a talented international cast, delivering a powerful performance while also navigating the production's stark setting. The opera's famous triumphal march prompts reflection on its implications concerning death, transforming the viewing experience into a more somber examination of Verdi's original preoccupations.
In Robert Carsen's 2022 production of Aida, the traditional Egyptian setting is replaced by a non-specific totalitarian state, emphasizing themes of war and homeland.
The triumphal march in Aida, often celebrated for its grandiosity, raises questions about the portrayal of death and militarism against a backdrop reminiscent of modern powers.
Read at www.theguardian.com
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