The depiction of Westerns has evolved over the decades, reflecting societal politics and anxieties, ultimately showing that our current reality mirrors the Western narrative.
Sheridan's projects like 'Yellowstone' and 'Landman' represent modern Westerns, blending traditional themes with current issues, appealing to a wide ideological audience.
'Stagecoach' established a blueprint for the archetypal cowboy, while later works, including 'The Man Who Shot Liberty Valance', provoke deeper questions about societal structures.
Schwartz observes, 'Whether or not we want to be living in a Western, we very much still are,' highlighting the genre's enduring relevance.
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